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・ Seth Warshavsky
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・ Seth Wetmore House
・ Seth Whipper
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・ Seth Williams (disambiguation)
・ Seth Williams (gridiron football)
・ Seth Wilson
・ Seth Winston
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・ Seth Wulsin
・ Seth Zvi Rosenfeld
Seth's Dominion
・ Seth, Germany
・ Seth, West Virginia
・ Seth-Peribsen
・ Setha Low
・ Sethani ghat
・ Sethanipuram
・ Setharja
・ Setharja railway station
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Seth's Dominion : ウィキペディア英語版
Seth's Dominion

''Seth’s Dominion'' is a 2014 National Film Board of Canada animated/live action documentary directed by Luc Chamberland about the Canadian cartoonist Seth.
==Production==
''Seth’s Dominion'' took Chamberland eight years to create, from conception to release. Chamberland first discovered the work of Seth—whose real name is Gregory Gallant—while he was living in London. Chamberland, who had aspired to being a comic book artist himself, was immediately drawn to the Ontario-born cartoonist's work:
Chamberland first approached Seth at a comic book conference in Montreal.〔 At first, he didn't know whether he wanted to do a film with or about Seth. The two men discussed films that had been done in the past about cartoon artists, and agreed that they didn't want to do anything remotely similar. The breakthrough for Chamberland came when Seth gave him access to his unpublished diaries, rendered in cartoon form:〔
Chamberland worked on ''Seth's Dominion'' over a seven-year period, while teaching storyboarding and animation part-time at Concordia University and Cégep du Vieux Montréal, and doing independent commercial and TV work, including developing the pilot for the series, ''Wild Kratts''. He would film Seth approximately once a year during this time, usually over a three-day long weekend, and work with various animation teams on the film. Chamberland estimates he could have done the film in 12 to 14 months, working full-time.〔
The film combines animation and live action interviews with Seth, as well as colleagues Chester Brown and Joe Matt. In an attempt to produce the aesthetics of the comic book style—as well as Seth himself, who dresses in an early 20th century style—Chamberland used film noir style lighting for interviews, and a vintage newsreel effect for live-action sequences.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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